The Phantom of the Opera

The Phantom of the Opera by Gaston Leroux

Like this one! I borrowed the review from megafan-JaneAustenRunsMyLife

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Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

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Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; he heard different stories about what went on in the theaters, and it gave him an idea.

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With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

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Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

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Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

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His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

Aw, man.

He is so often used to being considered as death, that he has even prepared his room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

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But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

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One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

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The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

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You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

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She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

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So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

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Then the Phantom carries her off underground into his home.

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Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

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He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

No thank youhowaboutno

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

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Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

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He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

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Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

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Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

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I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking of him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psycho and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him too. Although he does bring the chandelier down, which injures and kills. How many, we don’t know.

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He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

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But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

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Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

Leave me alone so I can cry over the death of my fictional characters

 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

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Had our heart broken:

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Been betrayed by someone we thought cared about us?

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Or felt we hadn’t received the recognition we deserved?

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What else can I say?

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Why yes I do!

For more ghosts, go to The Little Archies in The Secret of the Betsy Belle

For more posts borrowed from JaneAustenRunsMyLife, go to The Strength of Their Attachment

 

A Match of Wits

A Match of Wits (Ladies of Distinction #4) by Jen Turano

Thoughts Before Reading:

So I am very unhappy with this book.

Ever since I read the first book in the Ladies of Distinction series, A Change of Fortune I adored Agatha. I thought she was amazing, witty, fun, adorable, etc. She is a women from high class as her father is a wealthy businessman, but refuses to be sold off like cattle to a wealthy man.

Instead she gets a job at a newspaper and writes under a male pseudonym, being an investigative reporter and trying to clean up the city along with giving a voice to those who are disenfranchised.

I was hoping the second book would be all about her, but instead we got Arabella. Initially I was upset and hurt, but A Most Peculiar Circumstance was a good story as we got to learn more about Theodore Wilde and Arabella.

Squeal!

Then we had book three which was about Felicia Murdock?! REALLY?!! We barely even heard of her in the other books, WHY DID SHE GET HER OWN STORY BEFORE AGATHA?!! I’d been waiting for Agatha! This book was awful too, really starting to deteriorate and going downhill.

Ugh!

And then we get this book. We get a book about Agatha that I’ve been waiting FOREVER for and is it good? NO it SUCKS. MAJORLY! WHAT WAS SHE THINKING? I MEAN COME ON!!!.

 So Zayne Beckett has been engaged to Helena for quite some time now and has finally left to join her in the West. Agatha, who has been in love with him since forever, was heartbroken, to see him go but resolved to move on with life.

It has been two years since then and Agatha has been forced to leave New York and travel as their has been multiple threats against her life. She is in Colorado, when to her surprise she comes across Zayne!

What?!

A single Zayne? He did not marry Helena? A dirty mining Zayne that is nothing like the debonair one that left New York? A drunk Zayne that no longer believes in God? And a wounded Zayne, he has a limp in one leg.

Agatha saves him from being robbed by a girl gang, and strikes up their acquaintance again. She finds out that Helena did not want to marry him after all, and he was injured trying to save her in an accident, she ditching him. The accident broke his leg and it was poorly reset, causing him to have a limp.

I hate my life!

Agatha learns all about gold mining from him, planning on doing a story, when they are attacked by the girl gang again. It turns out they want Zayne’s gold along with being assassins hired to hunt down and kill Agatha.

They all head back to New York, where Agatha plans on bringing Zayne back to God and for him to be the man he once was. Zayne on the other hand plots to match Agatha with a man that will keep her out of trouble. Which one will win this match of wits?

Hmm…

Thoughts After Reading:

IT WAS AWFUL!!! This one was incredibly bad. Agatha was such a great character, but they made her incredibly dumb in this and she made horrible decisions. It was completely lackluster and I do not recommend it.

I mean she acted so stupid in everything, running off just asking to be killed. I mean really-you are an intelligent women. It is as of with each book she had a lobotomy.

It was just dumb and deteriorating into stupid stiff. I mean they add a pig sidekick. Really? Really? I hated it.

For more Ladies of Distinction, go to A Talent for Trouble

For more Jen Turano, go to A Most Peculiar Circumstance

For more investigative reporters, go to Conspiracy

For more Christian fiction, go to The Butterfly and the Violin

For more historical fiction, go to Weak Flesh

Ghost of the Hardy Boys

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Ghost of the Hardy Boys: An Autobiography by Leslie McFarlane, (the first Franklin W. Dixon)

I have never really been a fan of the Hardy Boys, except when they intersected with Nancy Drew. The Nancy Drew Casefiles had a cross over The Nancy Drew and Hardy Boys: Super Mysteries; along with the TV show The Hardy Boys/Nancy Drew Mysteries. The books, the few I read, never captured my attention. However, when I found this book, I decided to check it out and learn more about the creation of the Hardy Boys.

But first:

Happy 115th Birthday Leslie McFarlane!

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McFarlane started as a Canadian writer, trying to strike it in the publishing world. He works at a newspaper during the day, and at night putts away at the keyboard trying to write stories and have them published.

He works at a midwestern newspaper, while still trying to get his work published. One day he came upon an advertisement by Stratemeyer looking for a writer. It promised good money, so McFarlane decides to answer it.

He receives an outline for a book about two boys, Dave Fearless and his best pal as they go on all kinds of adventures, but the book was to be written not by McFarlane but a Roy Rockwood.

Yes, Stratemeyer has an amazing idea in that he will have all these series written, but not by real people but pseudonyms. If an “author” leaves, they can always be replaced with no one noticing.

MacFarlane gets paid enough that he leaves his job at the paper and heads back to his hometown. But even though Dave Fearless is paying the bills, MacFarlane hates the character with a passion.

However, one day he is given an outline without the snippet for the next book. He doesn’t think much about it, but it turns out that Fearless is toast. Instead, Stratemeyer has a new idea, a crime-solving duo The Hardy Boys.

From here begins MacFarlane’s career as Franklin W. Dixon. With him he breathes his own life and ideas into the characters, creating pieces that would remain with them throughout the years and their many rebranding for new generations.

Thoughts After Reading:

I Lobed it. MacFarlane is hilarious and so genuine in his writing. It feels as if he is taking directly to you and he holds nothing back. Loved it!

For more Non Fiction, go to High Road to the Stake: A Tale of Witchcraft

For more biographies, go to Agatha Christie: The Woman and Her Mysteries

The Cat Who Could Read Backwards

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I was trying to find a book to post on Valentine’s Day but didn’t have anything. At least not until I read this book when Qwill goes to a Valentine’s Masquerade ball. It was just in time and fit the holiday.

I thought it only fair to borrow this from my sister blog as she is all about the Cat Who Book series.

 

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“Qwilleran pondered the complexities of the art beat.” (pg 103)

So in the first book of the amazing series we are introduced to James (Jim) Qwilleran–known as Qwill to his friends. An ex-newspaperman who has achieved many honors–Sports writer, police reporter, war correspondent during WWII, winner of the Publishers’ Trophy, and author of a book on urban crime. However, he has recently recovered from bad times, a horrible divorce and bout of alcoholism, and is trying to get back on the straight and narrow and on a newspaper.

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He applies to the newspaper The Daily Fluxion and gets assigned to the art beat.

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Qwill is in shock as he has no idea why he of all people would be assigned that area. He knows nothing about art and the more he tries to learn about it the more he ends up becoming confused. I myself study Art History, and understand…

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